WOLFGANG AMADEUS MOZART Mozart Paris, The Complete Parisian Mozart Compositions [1763 And 1778] (Ever wanted to save yourself nearly five thousand Pounds ? That’s about eight thousand Dollars or Euros, if you wanted to know. Well, that’s what the seven LP set produced by Path in France in 1956 would cost you if you were able to find one. This recording of all of Mozart’s compositions from his visits to Paris in 1763 & 1778 & performed by the Fernand Oubradous Orchestra has long been seen to be the definitive recording of these pieces, unsurpassed to this day. The trouble is that it was produced over fifty five years ago and had never been re-issued, until this 2013 release. This is an instant rarity, being limited to a mere three hundred copies in total and there is already a waiting list, much like there would be for a new model Ferrari.Please see ‘More Info’ and I will attempt to explain why this is probably the ultimate modern vinyl collectable on the planet! ERC004)

TRACKLISTING AND EXTRA INFORMATION
I’d better start of with a few details of what exactly this is and why it’s so special.

A gentleman called Pete Huchison found himself having spent over 40,000 in one year on classical music, including the original Path release of this exquisite ‘Holy Grail’ box set. He happened to be in charge of his own record label, that conveniently was distributed by EMI, parent company of Path.
Through his contacts there, Hutchison got permission to remake eighty celebrated recordings from the golden era 1950s and 60s and reissue them himself, via his new label the Electric Recording Company.
This is the re-issue of that rare French box set.

Not content with a simple re-press, he decided to go the whole hog and reproduce, as exactly as he could, that 1956 box set. In his own words, he wanted to have ‘The best sounding records in the world’.
To that end, he went back to the original Path mono master tapes. To replay those tapes, he purchased and painstakingly restored an original EMI reel to reel recorder that was once used in Abbey Road. The mastering console, also ex-EMI, he had to find in Nigeria. To complete his time travels, he managed to acquire a valve powered tape machine and vinyl cutting lathe, which he spent three years restoring with the help of veteran sound engineers Sean Davies and Duncan Crimmins, guided by instruction manuals Davies had kept since the 1970s.
He also decided that the packaging would also be as near to the original release as possible. To that end he managed to track down a printer that still had a 1959 Heidelberg letterpress. The gold print was sourced from ancient stock, as was the silk cord for the bindings of the fifty page booklet.
The photographs within the booklet, rather than being copies of the original images, had to come from the original photographs, which meant tracking down the photographers, or their children, to request permission. Just the booklet accompanying this box set took an entire year to make.

So, what do you get for your money ?

The seven LP box set, authentic in every detail, with the only concession being made to the labels themselves as the ‘Nipper’ dog image was now owned by RCA in America & so could not be used for the Path labels.
The fifty page booklet is a near exact duplication of the original, taken from new custom typesets around the original archive photographs that were in the 1956 booklet.

The vinyl: An all valve mono cut from the original Path mono master tapes on authentic equipment and pressed onto heavyweight audiophile vinyl, then lovingly placed into replica inners and fitted into the replica box. Authentic in every detail.

This is not a re-press so much as a re-crafting. A labour of love that necessitated rebuilding the printing and pressing facilities of the late fifties in order to produce a modern high quality clone of the original, in perfect condition, with perfect sonics.
Limited to just three hundred copies, with copies released at the rate of a handful a month, this has a long waiting list of people waiting to hear this masterpiece recording in a way that it had not been heard for fifty five years. You can jump that queue.

The box displays just a few light signs of wear to the corners but nothing too excessive, the vinyl remains in a near mint condition, with each now placed inside Anti Static Archive Quality inners, and the booklet also near mint. Along with a second booklet in a black envelope, with a numbered certificate, which is numbered 122, out of only 300 copies.

A bargain, whichever way you look at it. An original, almost impossible to obtain, over five times this price. A copy of this set from anywhere else would be at least five hundred pounds more expensive. We only have one & when it’s gone, it’s gone.

The Performances [and original label catalogue numbers]:

DTX 191: Concerto for Harpsichord and Violin K.supp.56 – Sonata for Harpsichord and Violin, K.6, K.7, K.8 and K.9 – Jacques Dumont (Violin) – Robert Veyron-Lacroix (Harpsichord) – Fernand Oubradous (Conductor) – Kyrie, K.33 – J.Cellier (Soprano) – S.Michel (Contralto) – J.Giraudeau (Tenor) – M.Roux (Bass)
DTX 192: Symphonie Concertante, K.297 – Fernand Oubradous (Conductor) – P.Pierlot (Oboe) – J.Lancelot (Clarinet) – P.Delvescovo (Horn) and P.Hongne (Bassoon) – Grande Overture in B Flat Major K.supp.1 No 8 – Fernand Oubradous (Conductor)
DTX 193: Concerto for Harp and Flute in C Major, K.299 – Andante for Flute and Orchestra, K.315 – Lili Laskine (Harp) – Franois-Julien Brun (Flute) – Fernand Oubradous (Conductor)
DTX 194: Symphonie Parisienne, K.297 – Les Petits Riens – Fernand Oubradous (Conductor)
DTX 195: Popoli di Tessaglia, K. 316 – Annick Simon (Soprano) – Fernand Oubradous (Conductor) – String Quartet, K.supp.212 – Pascal Quartet – Ah! Vousdirai-je Maman – 12 Variations, K.265 – Samson Franois (Piano) – Sonata for Violin and Piano, K.306 – Ren Benedetti (Violin) – Vlado Perlemuter (Piano)
DTX 196: Sonata in A Minor, K.310 – Lazare-Levy (Piano) – La Belle Franoise – 12 Variations K.353 – Jean Doyen (Piano) – Lison Dormait – 9 Variations, K.395 – Prelude, K.395 – Jeanne-Marie Darr (Piano) – Sonata for Violin & Piano, K.304 – Roland Charmy (Violin) – Vlado Perlemuter (Piano)
DTX 197: Sonata in C Major, K.330 – Aline Van Barentzen (Piano) – Sonata in A Major K.331 – Marcel Ciampi (Piano) – Je Suis Lindor – 12 Variations, K.354 – Lucette Descaves (Piano) – Sonata in F Major, K.332 – Joseph Benvenutti (Piano)

Artist – Wolfgang Amadeus Mozart (click link for complete listing)
Title – Mozart Paris 1763 Et 1778 (click link for more of the same title)
Year of Release – 2013
Original Year of Release – 2013
Format – Vinyl Box Set
Record Label – Electric Recording Company
Catalogue No – ERC004 (click link for more)
Country of Origin – United Kingdom (UK)
Language – Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Blue Chip This is a Blue Chip collectors item. Click link for similar items
Audiophile This is an Audiophile item. Click link for similar items
Additional info – Deleted, Picture Sleeve
Global Trade Item Number (GTIN) – 5053201723389
Condition – This item is in Excellent condition or better (unless it says otherwise in the above description). We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. Click here for more info.
RareVinyl.com Ref No – WZMVXMO890268
Alternative Names – W.A. Mozart,Mozart.
Related Artists – Leopold Mozart.

GENRES
Classical, POP.

ORDERING
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RareVinyl.com Reference Number – WZMVXMO890268

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