TrombonistJ. J. Johnsontook the language of bebop and adapted it to his instrument winning the admiration of Fats Navarro, Dizzy Gillespie, and CharlieParker. After appearing on Miles Davis first Blue Note session in 1952, Johnson was given the chance to lead his own dates in 1953 and 1954. The first featured a sextet with Johnson joined by the brilliant trumpeterClifford Brown, saxophonistJimmy Heath, pianistJohn Lewis, bassistPercy Heath, and drummerKenny Clarkewho perform a varied program with up-tempo burners like Turnpike and beautiful ballads like Lover Man. For his next session Johnson went back into Van Gelder Studio to cut memorable takes of Old Devil Moon, the percolating original Coffee Pot, and more with a quintet featuringWynton Kellyon piano,Charles Minguson bass, Clarke once again on drums, and the congueroSabu Martinez. The two sessions were later combined for the release ofThe Eminent Jay Jay Johnson, Volume 1.

UHQ-CDs reproduce the sound of original master tapes as faithfully as possible by utilizing new transfer technologies and improved materials to produce high-quality sound with a better representation of the whole stage. UHQ-CDs comply with CD standards and can be played on existing players. Each title is presented in a UHQ-CD jewel case with an obi-strip and the original sleeve notes reproduced on the back inlay.

Tracklist:
1. Turnpike
2. Lover Man
3. Get Happy
4. Sketch 1
5. Capri
6. Jay
7. Old Devil Moon
8. It’s You Or No One
9. Too Marvelous For Words
10. Coffee Pot